{"id":91984,"date":"2025-10-07T06:53:23","date_gmt":"2025-10-07T04:53:23","guid":{"rendered":"https:\/\/www.fragmenta.cat\/?post_type=article&p=91984"},"modified":"2025-10-14T10:49:21","modified_gmt":"2025-10-14T08:49:21","slug":"escriure-des-de-lombra-linconscient-com-a-motor-literari","status":"publish","type":"article","link":"https:\/\/www.fragmenta.cat\/es\/dialogal\/article\/escriure-des-de-lombra-linconscient-com-a-motor-literari\/","title":{"rendered":"Escriure des de l\u2019ombra: l\u2019inconscient com a motor literari"},"content":{"rendered":"\n

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\u00c9s precisament quan els autors anul\u00b7len el pensament racional que aconsegueixen emparaular all\u00f2 que abans es feia incomprensible<\/h6>\n\n\n\n

Clarice Lispector, Maurice Blanchot i Marguerite Duras s\u00f3n tres autors que conceben la literatura com una via d\u2019acc\u00e9s a l\u2019incomprensible que habita en nosaltres. En les seves obres, l\u2019escriptura es configura com un exercici que transita de la quotidianitat m\u00e9s profana a l\u2019extraordinari m\u00e9s sagrat, i sovint es presenta com un intent de retrobar-se amb D\u00e9u, encara que nom\u00e9s sigui amb el seu silenci o el seu buit. Aquesta necessitat es materialitza mitjan\u00e7ant certes estrat\u00e8gies liter\u00e0ries que, anul\u00b7lant el conscient de la veu narrativa, fan de l\u2019inconscient el motor de la seva escriptura. <\/p>\n\n\n\n\n\n\n\n

A Un al\u00e8 de vida<\/em> (Club Editor, 2021), Clarice Lispector elabora una reflexi\u00f3 sobre la creaci\u00f3 a trav\u00e9s del di\u00e0leg entre un escriptor i el seu personatge, \u00c2ngela Pralini. Des del comen\u00e7ament, el narrador-escriptor adverteix que \u00abaquest llibre \u00e9s la meva ombra\u00bb i que \u00abl\u2019\u00c2ngela \u00e9s tot el que jo volia ser i no he sigut\u00bb. Al mateix temps, s\u2019interroga: \u00abEm pregunto si he creat l\u2019\u00c2ngela per poder tenir un di\u00e0leg amb mi mateix\u00bb. \u00bfQui \u00e9s realment \u00c2ngela? O, dit altrament, \u00bfqu\u00e8 permet \u00c2ngela al narrador? A trav\u00e9s de la conversa i de l\u2019efecte mirall que li produeix, l\u2019autor s\u2019endinsa en les profunditats m\u00e9s ocultes de la seva psique, en all\u00f2 que s\u2019hi troba m\u00e9s enll\u00e0 o, ben mirat, m\u00e9s endins. Les paraules d\u2019\u00c2ngela, inicialment qualificades d\u2019irreflexives, abstractes i sense sentit, acaben posseint l\u2019escriptor. \u00c2ngela, convertida en l\u2019ombra irreprimible del narrador, esdev\u00e9 un misteri que no nom\u00e9s el fascina, sin\u00f3 que, progressivament, el configura. L\u2019escriptura i la veu d\u2019\u00c2ngela domina l\u2019escriptor de tal manera que, abandonant-s\u2019hi, deixa de ser ell, per identificar-se primordialment amb ella \u2014la qual, paradoxalment, no li \u00e9s aliena, sin\u00f3 ben seva. \u00abSi aquest llibre veu mai la llum, que se n\u2019allunyin els profans. Perqu\u00e8 escriure \u00e9s una cosa sagrada on els infidels no tenen entrada\u00bb, adverteix. D\u2019una banda, \u00e9s un exercici que l\u2019espanta: \u00abTinc por d\u2019escriure. \u00c9s massa perill\u00f3s. Qui ho ha intentat, ja ho sap. Hi ha el perill de remoure tot all\u00f2 que est\u00e0 ocult.\u00bb De l\u2019altra, per\u00f2, permet a l\u2019escriptor retrobar-se amb l\u2019enigma: \u00abHe trobat D\u00e9u en la meva inconsci\u00e8ncia m\u00e9s profunda.\u00bb<\/p>\n\n\n\n

<\/p>\n\n\n\n

Resseguint l\u2019escriptura de Lispector, Blanchot i Duras, podem preguntar-nos si la funci\u00f3 de la literatura no \u00e9s retrobar-nos amb tot all\u00f2 que se\u2019ns mostra ocultant-se<\/p><\/blockquote>\n\n\n\n

Tamb\u00e9 a Thomas l\u2019Obscur <\/em>(Editorial Fl\u00e2neur, 2018), Maurice Blanchot pren l\u2019experi\u00e8ncia liter\u00e0ria com a porta d\u2019acc\u00e9s a un nou jo. Per fer-ho, no presenta la literatura com un objecte que acompanya el lector, sin\u00f3 al contrari. El protagonista, Thomas, \u00ablluny de distanciar-se d\u2019un text tan ben protegit, va concentrar totes les seves forces a fer-se\u2019l seu, i es va negar obstinadament a retirar-ne la mirada, creient ser encara un lector profund, quan els mots, de sobte, ja s\u2019havien apoderat d\u2019ell i el comen\u00e7aven a llegir\u00bb. \u00c9s a dir, el lector deixa de ser un subjecte que es posiciona activament enfront de la literatura per esdevenir un objecte dominat per ella. Aix\u00ed, la literatura il\u00b7lumina a dins del protagonista una for\u00e7a monstruosa i vertiginosa que li desperta una \u00abnova manera de ser\u00bb \u2014i que \u00e9s tan incomprensible que voler entendre-la equivaldria a \u00abun verdader intent de temptar D\u00e9u\u00bb. A partir d\u2019aquest moment, Thomas encarnar\u00e0 tot all\u00f2 que el m\u00f3n rebutja: l\u2019experi\u00e8ncia del buit, l\u2019horror i la mort, \u00e9s a dir, l\u2019ombra de l\u2019inconscient col\u00b7lectiu. <\/p>\n\n\n\n

L\u2019home que seu al passad\u00eds<\/em> (Editorial Afers, 2023) \u00e9s una de les obres m\u00e9s transgressores de Marguerite Duras. Hi relata l\u2019afer er\u00f2tic viscut amb el periodista i guionista G\u00e9rard Jarlot, que hauria suposat un punt de no retorn en les seves vides. En el cas de Duras, a m\u00e9s, aquesta experi\u00e8ncia va provocar un canvi profund en la seva comprensi\u00f3 de la literatura i l\u2019amor. El relat, lluny de convertir-se en una narraci\u00f3 directa de l\u2019afer, articula una escena fict\u00edcia que, no obstant, expressa i allibera all\u00f2 reprimit i esgarrif\u00f3s que aquella viv\u00e8ncia va significar per a ella. A trav\u00e9s de la literatura, Duras dona pas a l\u2019inconscient, a all\u00f2 que li roman ocult i que no pot anomenar ni representar del tot.  <\/p>\n\n\n\n

Thomas l\u2019Obscur<\/em> desafia el cogito<\/em> cartesi\u00e0 afirmant: \u00abCogito, ergo no sum\u00bb (\u2018penso, llavors no existeixo\u2019). Es tracta d\u2019un raonament que li permet abordar l\u2019experi\u00e8ncia liter\u00e0ria com una experi\u00e8ncia de la dissoluci\u00f3 del jo, on el subjecte ja no s\u2019afirma com a pres\u00e8ncia segura, sin\u00f3 que concedeix aquesta autonomia al llenguatge. Explorant l\u2019expressi\u00f3 d\u2019all\u00f2 que s\u2019amaga rere el conscient, podem preguntar-nos si all\u00f2 que vertebra els tres autors no consisteix m\u00e9s aviat en un \u00abnon cogito, ergo sum\u00bb (\u2018no penso, llavors existeixo\u2019). \u00c9s a dir, \u00e9s precisament quan els tres autors anul\u00b7len el pensament racional que aconsegueixen alliberar una veu, si b\u00e9 sovint confusa, almenys capa\u00e7 d\u2019emparaular all\u00f2 que abans es feia incomprensible. \u00abNom\u00e9s m\u2019interessa el que no es pot pensar\u00bb, anuncia \u00c2ngela. Tal vegada, la funci\u00f3 de la literatura \u00e9s aquesta: retrobar-nos amb tot all\u00f2 que se\u2019ns mostra ocultant-se.<\/p>\n\n\n\n

\n
\n
\n
\"\"
Un al\u00e8 de vida<\/em><\/strong>
Clarice Lispector
Club Editor, 2021<\/figcaption><\/figure>\n\n\n\n
\"\"
Thomas l’Obscur<\/em><\/strong>
Maurice Blanchot
Fl\u00e2neur, 2018<\/figcaption><\/figure>\n\n\n\n
\"\"
L’home que seu al passad\u00eds<\/em><\/strong>
Marguerite Duras
Editorial Afers, 2023<\/figcaption><\/figure>\n<\/figure>\n<\/div>\n<\/div><\/div>\n\n\n\n
\n
\n

<\/p>\n<\/div><\/div>\n<\/div><\/div>\n\n\n

____________<\/p>\n

Foto de portada<\/strong>: est\u00e0tua de Clarice Lispector amb el seu gos al Fishermen’s Way<\/em> a la platja de Leme (Brasil).<\/p>","protected":false},"featured_media":91991,"template":"","tags":[317,269],"seccio":[268],"class_list":["post-91984","article","type-article","status-publish","has-post-thumbnail","hentry","tag-317","tag-va-de-llibres","seccio-va-de-llibres"],"acf":[],"yoast_head":"\nEscriure des de l\u2019ombra: l\u2019inconscient com a motor literari - Fragmenta Editorial<\/title>\n<meta name=\"description\" content=\"L'inconscient com a motor de l'escriptura de Clarice Lispector, Maurice Blanchot i Marguerite Duras.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.fragmenta.cat\/dialogal\/article\/escriure-des-de-lombra-linconscient-com-a-motor-literari\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Escriure des de l\u2019ombra: l\u2019inconscient com a motor literari - 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