{"id":93862,"date":"2026-03-30T07:51:07","date_gmt":"2026-03-30T05:51:07","guid":{"rendered":"https:\/\/www.fragmenta.cat\/?post_type=article&p=93862"},"modified":"2026-04-01T08:53:25","modified_gmt":"2026-04-01T06:53:25","slug":"el-teatre-popular-catala-una-aproximacio-propia-al-patrimoni-religios-universal","status":"publish","type":"article","link":"https:\/\/www.fragmenta.cat\/es\/dialogal\/article\/el-teatre-popular-catala-una-aproximacio-propia-al-patrimoni-religios-universal\/","title":{"rendered":"El teatre popular catal\u00e0: una aproximaci\u00f3 pr\u00f2pia al patrimoni religi\u00f3s universal"},"content":{"rendered":"\n

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De la lit\u00fargia a la celebraci\u00f3 popular, Els<\/em> Pastorets, La Passi\u00f3<\/em> i El<\/em> Cant de la Sibil\u00b7la<\/em> exemplifiquen la transformaci\u00f3 local d\u2019un imaginari religi\u00f3s compartit<\/h6>\n\n\n\n

De totes les virtuts de les quals gaudeix el teatre, en destaca la capacitat per difondre un relat que, precisament pel seu car\u00e0cter l\u00fadic, no \u00e9s percebut pel p\u00fablic com una imposici\u00f3 de discurs, sin\u00f3, al contrari, com una ocasi\u00f3 de celebraci\u00f3 multitudin\u00e0ria. Si b\u00e9 avui el model teatral ha mutat tamb\u00e9 en m\u00faltiples formats audiovisuals, durant les edats mitjana i moderna l\u2019escenari era l\u2019\u00fanic espai disponible per a la transmissi\u00f3 d\u2019hist\u00f2ries, especialment les d\u2019inspiraci\u00f3 b\u00edblica. A casa nostra, els exemples s\u00f3n diversos: Els Pastorets<\/em>, La Passi\u00f3 de Crist<\/em> o fins i tot El Cant de la Sibil\u00b7la<\/em> s\u00f3n testimonis magn\u00edfics d\u2019una religiositat popular compartida i de les diverses maneres locals d\u2019entendre-la.<\/p>\n\n\n\n\n\n\n\n

El Cant de la Sibil\u00b7la<\/em> \u00e9s un drama lit\u00fargic cantat que, en la versi\u00f3 escenificada a Mallorca concretament, consta com a Patrimoni Cultural Immaterial de la Humanitat des del 2010. Tot i que la figura de la Sibil\u00b7la no \u00e9s pr\u00f2pia de la nostra tradici\u00f3, ja que sorgeix de la mitologia grega i romana, el cristianisme la va adoptar en alguns oficis de Nadal, en virtut del seu do prof\u00e8tic, com a responsable d\u2019anunciar la segona arribada del Messies i, amb ell, el Judici Final. L\u2019assaig Quan canta la Sibil\u00b7la<\/em> (Viena Edicions, 2021), d\u2019Antoni Gelonch i Oriol P\u00e9rez, no nom\u00e9s il\u00b7lustra la hist\u00f2ria i l\u2019evoluci\u00f3 de la Sibil\u00b7la, sin\u00f3 que tamb\u00e9 explora els motius pels quals fa unes d\u00e8cades, despr\u00e9s de la seva desaparici\u00f3 durant segles, es va recuperar als Pa\u00efsos Catalans. Com detallen els autors, el Cant de la Sibil\u00b7la<\/em> hauria gaudit de gran popularitat durant l\u2019edat mitjana arreu del territori, sobretot a causa del context apocal\u00edptic de l\u2019any mil, en qu\u00e8 bona part de la poblaci\u00f3 estava conven\u00e7uda de l\u2019arribada imminent del Judici Final. Aquest cant aconseguia canalitzar aquest neguit, aix\u00ed com enfortir l\u2019imaginari escatol\u00f2gic i la fe dels fidels. Quan aquell terror va esvair-se, el Cant de la Sibil\u00b7la<\/em> va transformar-se en una celebraci\u00f3 m\u00e9s del context nadalenc que, malgrat el seu oblit durant alguns segles, s\u2019ha conservat fins avui.\u00a0
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Els Pastorets<\/em>, Les Passions<\/em> o El Cant de la Sibil\u00b7la<\/em> no nom\u00e9s assenyalen una religiositat popular compartida, sin\u00f3 tamb\u00e9 unes maneres locals d\u2019entendre-la<\/p>\n<\/blockquote>\n\n\n\n

Unes altres representacions populars de gran notorietat s\u00f3n les escenificacions dram\u00e0tiques del relat evang\u00e8lic durant la Setmana Santa. A Passi\u00f3 per la Setmana Santa. Festes i tradicions<\/em> (Edicions Morera, 2023), fra Valent\u00ed Serra i Fornell s\u2019aproxima amb profunditat i claredat a la hist\u00f2ria de totes aquelles expressions populars del poble catal\u00e0 que han vertebrat aquesta festa. Posant l\u2019\u00e8mfasi en les representacions teatrals, l\u2019autor se centra en els viacrucis <\/em>vivents, \u00e9s a dir, les pr\u00e0ctiques devocionals cat\u00f2liques que rememoren certs episodis de la vida de Jes\u00fas, per\u00f2 tamb\u00e9 en les versions de La Passi\u00f3<\/em> \u2014d\u2019entre les quals destaca, en llengua catalana, la que fra Antoni va fer de sant Jeroni. Avui dia, La Passi\u00f3<\/em> m\u00e9s coneguda \u00e9s la d\u2019Esparreguera, per\u00f2 les de Sant Vicen\u00e7 dels Horts, Cervera o Olesa de Montserrat tamb\u00e9 tenen gran ress\u00f2 i recorregut, aix\u00ed com la d\u2019Ulldecona, que, tot i ser m\u00e9s recent, tamb\u00e9 ha fet fortuna. De fet, tal com assenyala el llibre, Les Passions<\/em> catalanes s\u00f3n considerades unes de les dramatitzacions m\u00e9s antigues d\u2019Europa que, amb origen medieval i barroc, van aconseguir plasmar i apropar en llengua vulgar el misteri dels darrers dies i les vicissituds de Crist.<\/p>\n\n\n\n

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El relat de cadascuna d\u2019aquestes pr\u00e0ctiques teatrals forja una identitat col\u00b7lectiva i refor\u00e7a el m\u00f3n compartit que defineix el nostre poble<\/p>\n<\/blockquote>\n\n\n\n

El Cant de la Sibil\u00b7l<\/em>a i La Passi\u00f3<\/em> tenen un car\u00e0cter m\u00e9s solemne i cerimoni\u00f3s. Ara b\u00e9, no totes les representacions populars comparteixen aquest to. Un exemple clar s\u00f3n Els<\/em> Pastorets<\/em>. Tot i disposar de diverses versions, la de Josep Maria Folch i Torres, que porta per t\u00edtol Els Pastorets o l\u2019adveniment de l\u2019Infant Jes\u00fas<\/em>, \u00e9s la que gaudeix de m\u00e9s popularitat. De fet, el 2016 va ser revisada i reeditada per La Galera amb la finalitat de posar-la a disposici\u00f3 del p\u00fablic general. L\u2019argument \u00e9s arxiconegut: els pastors Lluquet i Rovell\u00f3 s\u2019enfronten a Satan\u00e0s i Llucifer per evitar que compleixin el seu prop\u00f2sit, que \u00e9s el d\u2019impedir el naixement de Jes\u00fas per fer triomfar el mal a la Terra.\u00a0<\/p>\n\n\n\n

La grandesa de totes aquestes manifestacions no rau nom\u00e9s en la seva capacitat d\u2019apropar-nos i adscriure\u2019ns a un patrimoni religi\u00f3s universal, sin\u00f3 en el fet que som nosaltres qui elaborem un relat en la nostra llengua d\u2019acord amb les necessitats i particularitats del nostre territori. Aix\u00f2 permet precisament reescriure la narraci\u00f3 original fins a obtenir-ne una de pr\u00f2pia i de nova. Per aquest motiu, drames com El<\/em> Cant de la Sibil\u00b7la<\/em>, La Passi\u00f3<\/em> o Els Pastorets<\/em> tenen un gran valor cultural en si mateixos, no nom\u00e9s pel relat singular que expressen, sin\u00f3 tamb\u00e9 pel seu inter\u00e8s per la comunitat. Dit altrament, la seva pr\u00e0ctica forja una identitat col\u00b7lectiva i refor\u00e7a el m\u00f3n compartit que defineix el nostre poble.<\/p>\n\n\n\n

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Quan canta la Sibil\u00b7la<\/em><\/strong>
Antoni Gelonch i Oriol P\u00e9rez
Viena Edicions, 2021<\/figcaption><\/figure>\n\n\n\n
\"\"
Els Pastorets o l’adveniment de l’Infant Jes\u00fas<\/em><\/strong>
Josep M. Folch i Torres
Editorial La Galera, 2016<\/figcaption><\/figure>\n\n\n\n
\"\"
Passi\u00f3 per la Setmana Santa<\/em><\/strong>
Fra Valent\u00ed Serra de Manresa
Les Punxes Distribucions, 2023<\/figcaption><\/figure>\n<\/figure>\n<\/div>\n<\/div><\/div>\n\n\n\n
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Foto de portada<\/strong>: fragment de la Biga de la Passi\u00f3,<\/em> Museu Nacional d’Art de Catalunya (MNAC) | \u00a9 Wikimedia Commons<\/p>","protected":false},"featured_media":93863,"template":"","tags":[322,269],"seccio":[268],"class_list":["post-93862","article","type-article","status-publish","has-post-thumbnail","hentry","tag-322","tag-va-de-llibres","seccio-va-de-llibres"],"acf":[],"yoast_head":"\nEl teatre popular catal\u00e0: una aproximaci\u00f3 pr\u00f2pia al patrimoni religi\u00f3s universal - Fragmenta Editorial<\/title>\n<meta name=\"description\" content=\"Les obres \u00abEls Pastorets\u00bb, \u00abLa Passi\u00f3\u00bb i el \u00abCant de la Sibil\u00b7la\u00bb exemplifiquen la transformaci\u00f3 local d\u2019un imaginari religi\u00f3s compartit.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.fragmenta.cat\/dialogal\/article\/el-teatre-popular-catala-una-aproximacio-propia-al-patrimoni-religios-universal\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"El teatre popular catal\u00e0: una aproximaci\u00f3 pr\u00f2pia al patrimoni religi\u00f3s universal - 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