{"id":94565,"date":"2026-07-01T18:25:17","date_gmt":"2026-07-01T16:25:17","guid":{"rendered":"https:\/\/www.fragmenta.cat\/?post_type=article&p=94565"},"modified":"2026-08-06T16:52:03","modified_gmt":"2026-08-06T14:52:03","slug":"el-paradis-i-la-terra-distancia-memoria-i-anhel-en-la-literatura-catalana-contemporania","status":"publish","type":"article","link":"https:\/\/www.fragmenta.cat\/es\/dialogal\/article\/el-paradis-i-la-terra-distancia-memoria-i-anhel-en-la-literatura-catalana-contemporania\/","title":{"rendered":"El parad\u00eds i la terra: dist\u00e0ncia, mem\u00f2ria i anhel en la literatura catalana contempor\u00e0nia"},"content":{"rendered":"\n

<\/p>\n\n\n\n

\u00bfCom ha descrit el parad\u00eds la literatura catalana? Jacint Verdaguer, Aurora Bertrana i Pol Guasch: tres generacions ens obren la porta a la q\u00fcesti\u00f3<\/h6>\n\n\n\n

Tant se val el motiu: el relat b\u00edblic ens explica que D\u00e9u va expulsar-nos del parad\u00eds i ens va condemnar al patiment, al dolor i a l\u2019esfor\u00e7 del treball dur. Ara b\u00e9: la nostra desgr\u00e0cia no seria haver hagut d\u2019abandonar-lo, sin\u00f3 haver-lo conegut i, per tant, haver hagut d\u2019aprendre a prescindir-ne. Per aix\u00f2, la mem\u00f2ria del parad\u00eds apareix quan ens veiem obligats a cercar alternatives al m\u00f3n que hem constru\u00eft. La literatura de Jacint Verdaguer, Aurora Bertrana i Pol Guasch, malgrat les difer\u00e8ncies que els separen, comparteix la inclinaci\u00f3 per la recerca del parad\u00eds, \u00e9s a dir, l\u2019anhel de retornar-hi o d\u2019inscriure\u2019l en l\u2019aqu\u00ed i l\u2019ara.<\/p>\n\n\n\n\n\n\n\n

Jacint Verdaguer a Al cel<\/a> <\/em>(Verdaguer Edicions, 2017) comen\u00e7a el seu pr\u00f2leg escrivint: \u00abVull anar al cel; per aix\u00f2 n\u2019he escrits aqueixos cants d\u2019enyoran\u00e7a.\u00bb De bon principi, formula el desig de volar cap al parad\u00eds enyorat per retrobar-se amb la gl\u00f2ria perduda de D\u00e9u i abandonar, per fi, la pres\u00f3 terrenal. El poemari, publicat p\u00f2stumament el 1903, forma part de la producci\u00f3 de l\u2019autor posterior a la crisi espiritual que va viure la d\u00e8cada anterior, la qual va tenir un impacte significatiu en la seva vida personal i en la seva poesia. Aix\u00ed, a Al cel<\/em>, el lector hi percep encara les conseq\u00fc\u00e8ncies d\u2019aquesta crisi, ara tradu\u00efdes en una intensificaci\u00f3 de l\u2019anhel de l\u2019autor per recuperar el parad\u00eds: \u00abJo en lo meu cor sento unes ales | que volarien sense fi. | Doncs \u00bfper qu\u00e8 D\u00e9u me les hi posa | si per volar no han de servir? | Lo firmament que veig per fora , | \u00bfquan lo veur\u00e9 de part de dins? | \u00bfQuan volar\u00e9 per l\u2019estrellada, blanc ametller que hi veig florir, | de l\u2019etern maig dol\u00e7a prim\u00edcia? | \u00a1Oh parad\u00eds! \u00a1Oh parad\u00eds!\u00bb. Verdaguer tamb\u00e9 insisteix en la mem\u00f2ria que en guarda: \u00abLos que heu un cop sa m\u00fasica escoltada, | \u00bfLa m\u00fasica terrena no us desplau?\u00bb. Malgrat la impossibilitat d\u2019accedir-hi encara, la posici\u00f3 de Verdaguer no \u00e9s desesperan\u00e7ada, sin\u00f3 que, entenent la necessitat de transitar \u00ables amargors que es passen en esta vall de ll\u00e0grimes\u00bb, reivindica una vida apartada de les frivolitats: \u00abNo les mireu pas, ulls meus, | d\u2019aquest m\u00f3n les vanes coses, | vanitat de vanitats, | d\u2019aigua t\u00e8rbola bombolles. | Compareu sa lluentor | amb los joiells de la Gl\u00f2ria.\u00bb El poeta anima a viure l\u2019espera amb la mirada dirigida al cel, que, en il\u00b7luminar la conducta humana, ens ajuda a purificar-nos i a fer de la vida a la terra un mirall del parad\u00eds tan fidedigne com sigui possible.
<\/p>\n\n\n\n

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El parad\u00eds \u00e9s aquell espai on hem ent\u00e8s que no podem endinsar-nos encara, per\u00f2 que ens inspira maneres m\u00e9s amables de viure en el nostre m\u00f3n<\/p>\n<\/blockquote>\n\n\n\n

Aurora Bertrana, a Paradisos oce\u00e0nics<\/a> <\/em>(:Rata_, 2017), ens proposa un exercici diferent. El llibre esdev\u00e9 un reportatge del viatge que va fer a la Polin\u00e8sia entre 1926 i 1929, en qu\u00e8 descriu les meravelles descobertes amb un vocabulari grandiloq\u00fcent i po\u00e8tic: \u00abLes muntanyes oce\u00e0niques posseeixen un enc\u00eds poder\u00f3s. Tons suaus, perfums subtils que la terra exhala amorosa, lluminositats fin\u00edssimes, tonalitats matisades fins a l\u2019infinit.\u00bb La virtut del text de Bertrana rau en la seva posici\u00f3 d\u2019observadora. \u00c9s a dir, malgrat trobar-se enmig del paisatge, mai no arriba a identificar-se amb l\u2019objecte del seu estudi. En aquest sentit, no nom\u00e9s descriu el lloc, sin\u00f3 que el construeix des d\u2019una mirada externa i exotitzant: \u00abEncantats de trepitjar aquella terra gaireb\u00e9 verge, sense tra\u00e7a de cam\u00ed ni cap senyal delator de la m\u00e0 de l\u2019home\u00bb o \u00abTan lluny de la civilitzaci\u00f3 i dels homes ens pens\u00e0vem, que somi\u00e0vem viure una novel\u00b7lesca aventura de joventut\u00bb. Aquesta dist\u00e0ncia li \u00e9s salv\u00edfica, perqu\u00e8 constantment li recorda que aquest parad\u00eds no li pertany i que, per tant, nom\u00e9s podr\u00e0 gaudir-ne temporalment.<\/p>\n\n\n\n

\n

la mem\u00f2ria del parad\u00eds apareix quan ens veiem obligats a cercar alternatives DINS EL m\u00f3n que hem constru\u00eft<\/p>\n<\/blockquote>\n\n\n\n

El 2024, Pol Guasch va publicar Ofert a les mans, el parad\u00eds crema<\/a> <\/em>(Anagrama), un llibre que s\u2019obre amb una citaci\u00f3 de Marina Tsvet\u00e0ieva que, tot inspirant el t\u00edtol, diu: \u00abOfert al palmell de la m\u00e0 | el parad\u00eds \u2013 no l\u2019agafis crema!\u00bb En aquest llibre, els protagonistes recorren la novel\u00b7la amb l\u2019esperan\u00e7a de trobar un parad\u00eds que els permeti fugir del m\u00f3n que els ha tocat viure. Per\u00f2, en creure haver-lo trobat, com adverteix Tsvet\u00e0ieva, es cremen. \u00c9s aleshores que es veuen obligats a recular i convertir l\u2019amistat en l\u2019\u00fanic parad\u00eds real de salvaci\u00f3, ja que \u00abel millor de l\u2019amistat \u00e9s que \u00e9s per sempre\u00bb.<\/p>\n\n\n\n

Verdaguer, Bertrana i Guasch aborden la relaci\u00f3 possible amb el parad\u00eds i, sorprenentment, les propostes convergeixen. Verdaguer se\u2019l mira de lluny, mentre espera que li creixin les ales per volar fins al cel. Bertrana, malgrat la lleugeresa, tamb\u00e9 hi posa certa dist\u00e0ncia; la seva posici\u00f3 de reportera li permet narrar les impressions paradis\u00edaques de la Polin\u00e8sia sense confondre-s\u2019hi. Els personatges de Guasch es confronten amb el perill que suposa voler-se fusionar amb el parad\u00eds a la terra. Potser el parad\u00eds \u00e9s justament aix\u00f2: aquest espai on hem ent\u00e8s que no podem endinsar-nos encara, per\u00f2 que ens inspira maneres m\u00e9s amables de viure en el nostre m\u00f3n.<\/a><\/p>\n\n\n\n

\n
\n
\n
\"\"
Al Cel<\/em><\/strong>
Jacint Verdaguer
Verdaguer Edicions, 2017<\/figcaption><\/figure>\n\n\n\n
\"\"
Paradisos oce\u00e0nics<\/em><\/em><\/strong>
Aurora Bertrana
:Rata_, 2017<\/figcaption><\/figure>\n\n\n\n
\"\"
Ofert a les mans, el parad\u00eds crema<\/em><\/strong>
Pol Guasch
Llibres Anagrama, 2024<\/figcaption><\/figure>\n<\/figure>\n<\/div>\n<\/div><\/div>\n\n\n\n
\n
\n

<\/p>\n<\/div><\/div>\n<\/div><\/div>\n\n\n

____________<\/p>\n

Foto de portada<\/strong>: Aurora Bertrana durant el seu viatge a la Polin\u00e8sia | \u00a9 Rata Editorial<\/p>","protected":false},"featured_media":94598,"template":"","tags":[323,269],"seccio":[268],"class_list":["post-94565","article","type-article","status-publish","has-post-thumbnail","hentry","tag-323","tag-va-de-llibres","seccio-va-de-llibres"],"acf":[],"yoast_head":"\nEl parad\u00eds i la terra: dist\u00e0ncia, mem\u00f2ria i anhel en la literatura catalana contempor\u00e0nia - Fragmenta Editorial<\/title>\n<meta name=\"description\" content=\"Jacint Verdaguer, Aurora Bertrana i Pol Guasch ens obren la porta a la descripci\u00f3 del parad\u00eds segons la literatura catalana.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.fragmenta.cat\/dialogal\/article\/el-paradis-i-la-terra-distancia-memoria-i-anhel-en-la-literatura-catalana-contemporania\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"El parad\u00eds i la terra: dist\u00e0ncia, mem\u00f2ria i anhel en la literatura catalana contempor\u00e0nia - 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