{"id":94626,"date":"2026-06-30T21:56:43","date_gmt":"2026-06-30T19:56:43","guid":{"rendered":"https:\/\/www.fragmenta.cat\/?post_type=article&#038;p=94626"},"modified":"2026-07-31T12:58:06","modified_gmt":"2026-07-31T10:58:06","slug":"aixi-a-la-terra-com-en-el-cel-i-aixi-en-el-cel-com-a-la-terra","status":"publish","type":"article","link":"https:\/\/www.fragmenta.cat\/es\/dialogal\/article\/aixi-a-la-terra-com-en-el-cel-i-aixi-en-el-cel-com-a-la-terra\/","title":{"rendered":"\u00abAix\u00ed a la terra com en el cel i aix\u00ed en el cel com a la terra\u00bb"},"content":{"rendered":"<p>L\u2019anhel del parad\u00eds est\u00e0 inscrit en tots els humans i en tots els pobles de la terra. Es tracta de la nost\u00e0lgia dels or\u00edgens i de la nost\u00e0lgia del final, d\u2019assolir la plenitud de l\u2019exist\u00e8ncia personal i col\u00b7lectiva. Origen i terme s\u00f3n el mateix, per\u00f2 amb una difer\u00e8ncia: tornarem m\u00e9s carregats d\u2019experi\u00e8ncia i de consci\u00e8ncia despr\u00e9s de la gran aventura d\u2019haver estat humans. Aquesta \u00e9s la difer\u00e8ncia entre la <em>primera innoc\u00e8ncia<\/em> i la <em>segona innoc\u00e8ncia<\/em>. La primera \u00e9s donada; la segona, s\u2019ha d\u2019assolir.<!--more--><\/p>\n<p><span class=\"TextRun SCXW230634106 BCX0\" lang=\"CA-ES\" xml:lang=\"CA-ES\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW230634106 BCX0\"><span class=\"EOP SCXW80055678 BCX0\" data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6}\"><span class=\"EOP SCXW174300043 BCX0\" data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6}\">Les imatges del parad\u00eds tenen a veure amb l\u2019abund\u00e0ncia i s\u00f3n la idealitzaci\u00f3 dels paisatges terrestres. <em>Ed\u00e8n<\/em> vol dir \u2018jard\u00ed\u2019: l\u2019expressi\u00f3 \u00abel jard\u00ed de l\u2019Ed\u00e8n\u00bb implica una reduplicaci\u00f3, en el context de l&#8217;Orient Mitj\u00e0, <\/span><\/span><\/span><\/span>on el desert amena\u00e7a amb l\u2019escassetat de vegetaci\u00f3. El verd, el color sagrat de l\u2019islam, t\u00e9 a veure precisament amb aix\u00f2.<\/p>\n<p>Si unes imatges del parad\u00eds s&#8217;associen amb una natura idealitzada, unes altres tenen relaci\u00f3 amb l\u2019estructuraci\u00f3 social. Pensem en D\u00e9u assegut al tron reial, acompanyat de la jerarquia celeste, en una seq\u00fcenciaci\u00f3 de nou nivells ang\u00e8lics, agrupats en tres grups de tres, que s\u00f3n, en ordre descendent: serafins, querubins i trons, que contemplen la gl\u00f2ria divina; dominacions, virtuts i potestats, que executen els plans de D\u00e9u; i els principats, arc\u00e0ngels i \u00e0ngels, que s\u00f3n missatgers. L\u2019escena s\u2019assembla molt a una cort imperial amb una gradaci\u00f3 i distribuci\u00f3 de funcions.<\/p>\n<blockquote>\n<p>el parad\u00eds comporta una tensi\u00f3 escatol\u00f2gica que empeny i esperona a caminar vers un horitz\u00f3 personal i col\u00b7lectiu sempre per assolir, amagat a l&#8217;interior de cadasc\u00fa i tangible en cada acte\u00a0<\/p>\n<\/blockquote>\n<p>En les projeccions humanes del parad\u00eds, cel i terra interactuen com un joc de miralls: aix\u00ed a la terra com en el cel i aix\u00ed en el cel com a la terra. Des d\u2019una mirada immanentista, el cel \u00e9s una projecci\u00f3 de les imatges terrestres; des d\u2019una lectura misticoperennialista, la terra \u00e9s una cristal\u00b7litzaci\u00f3 o una materialitzaci\u00f3 de la intangibilitat celestial. En qualsevol cas, el que pret\u00e9n l\u2019anhel dels homes \u00e9s que les dues realitats s\u2019apropin tant com sigui possible fins a esdevenir una de sola.<\/p>\n<p>L\u2019aspiraci\u00f3 paradis\u00edaca cont\u00e9, alhora, una dimensi\u00f3 temporal \u2014la qual s\u2019est\u00e9n com un eix horitzontal que va de l\u2019Origen al Terme (d\u2019Alfa a Omega)\u2014 i una dimensi\u00f3 espacial de car\u00e0cter vertical que uneix cel i terra, el dalt i el baix. Aquesta doble direccionalitat tra\u00e7a el s\u00edmbol de la creu, que t\u00e9 el punt d\u2019intersecci\u00f3 en l\u2019aqu\u00ed de cada lloc i en l\u2019ara de cada instant, i la seva m\u00e0xima contracci\u00f3 en el cor de cadasc\u00fa.<\/p>\n<p>D\u2019aquesta manera, el parad\u00eds comporta una tensi\u00f3 escatol\u00f2gica que empeny i esperona a caminar vers un horitz\u00f3 personal i col\u00b7lectiu sempre per assolir, que est\u00e0 amagat a l\u2019interior de cada persona i que es fa tangible en cada acte que col\u00b7labora a elevar la condici\u00f3 humana vers un esgla\u00f3 superior.<\/p>\n<p>____________<\/p>\n<p><strong data-rich-text-format-boundary=\"true\">Foto de portada<\/strong>: <em>El jard\u00ed de l&#8217;Ed\u00e8n<\/em>, un oli sobre roure de Jan Brueghel The Elder (1610 &#8211; 1612) | \u00a9 Wikimedia Commons<\/p>\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"featured_media":94627,"template":"","tags":[323,212],"seccio":[211],"class_list":["post-94626","article","type-article","status-publish","has-post-thumbnail","hentry","tag-323","tag-obertures","seccio-obertures"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - 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