{"id":1455,"date":"2022-02-23T14:07:47","date_gmt":"2022-02-23T12:07:47","guid":{"rendered":"http:\/\/www.fragmenta.cat\/producte\/arte-y-blasfemia\/"},"modified":"2025-05-26T14:07:22","modified_gmt":"2025-05-26T12:07:22","slug":"arte-y-blasfemia","status":"publish","type":"product","link":"https:\/\/www.fragmenta.cat\/es\/producte\/arte-y-blasfemia\/","title":{"rendered":"Arte y blasfemia"},"content":{"rendered":"<p>El 18 de julio de 1573 Veronese compareci\u00f3 ante la Inquisici\u00f3n acusado de herej\u00eda por una pintura de la santa cena. La acusaci\u00f3n, que denunciaba la presencia de elementos profanos en un cuadro religioso, pon\u00eda sobre la mesa el debate sobre la interpretaci\u00f3n de las escenas b\u00edblicas. Obligado por las circunstancias, pero empujado por la astucia, Veronese encontr\u00f3 una salida con un procedimiento inusual en la \u00e9poca: titular el cuadro Cena en casa de Lev\u00ed, remiti\u00e9ndose a un episodio menor de los evangelios, de modo que la blasfemia se dilu\u00eda. As\u00ed, por la magia del texto escrito, el cuadro cambiaba totalmente de sentido sin retocar nada de lo que se representaba en \u00e9l.<\/p>\n<p>En el siglo XIX, esta colisi\u00f3n de Veronese con la Inquisici\u00f3n se convirti\u00f3 en un modelo del enfrentamiento entre el artista y el poder eclesi\u00e1stico, lo cual permit\u00eda abordar el di\u00e1logo entre lo sagrado y lo profano. Ahora sabemos que la soluci\u00f3n que Veronese hall\u00f3 para satisfacer a los inquisidores signific\u00f3 una innovaci\u00f3n a la hora de resolver los conflictos dogm\u00e1ticos con la Iglesia, adem\u00e1s de un cambio sustancial en el \u00e1mbito de la interpretaci\u00f3n art\u00edstica.<\/p>\n<p><span style=\"font-size: 8px; font-weight: bold;\">Con el apoyo del Departament de Cultura de la Generalitat de Catalunya.<\/span><\/p>\n<p><span style=\"font-size: 8px; font-weight: bold;\"><img loading=\"lazy\" decoding=\"async\" class=\"\" src=\"https:\/\/identitatcorporativa.gencat.cat\/web\/.content\/Documentacio\/descarregues\/dpt\/COLOR\/Cultura\/icec.jpg\" width=\"187\" height=\"33\" \/><img loading=\"lazy\" decoding=\"async\" class=\"sFlh5c FyHeAf iPVvYb\" src=\"https:\/\/cultura.gencat.cat\/web\/.content\/internacional\/02-programes\/artis\/04-socis\/imatges\/logos-socis_Departament-de-Cultura.png_1986210664.png\" alt=\"Socis. Departament de Cultura\" width=\"221\" height=\"35\" \/><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>El 18 de julio de 1573 Veronese compareci\u00f3 ante la Inquisici\u00f3n acusado de herej\u00eda por una pintura de la santa cena. La acusaci\u00f3n, que denunciaba la presencia de elementos profanos en un cuadro religioso, pon\u00eda sobre la mesa el debate [&hellip;]<\/p>\n","protected":false},"featured_media":1456,"template":"","meta":{"_acf_changed":false},"fragmental_publishing_company":[28],"fragmental_collection":[51],"product_brand":[],"product_cat":[15],"product_tag":[],"class_list":["post-1455","product","type-product","status-publish","has-post-thumbnail","fragmental_publishing_company-fragmentos","fragmental_collection-fragmentos","product_cat-sense-categoria","first","instock","taxable","shipping-taxable","purchasable","product-type-variable"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Arte y blasfemia - Fragmenta Editorial<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.fragmenta.cat\/producte\/arte-y-blasfemia\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Arte y blasfemia - Fragmenta Editorial\" \/>\n<meta property=\"og:description\" content=\"El 18 de julio de 1573 Veronese compareci\u00f3 ante la Inquisici\u00f3n acusado de herej\u00eda por una pintura de la santa cena. 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